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epigraph, 84; in Geography III, 73, 79 85; journey in, 73 75; land-
scape in, 73, 75; mappings of the world, 82; metrical impulses,
77 78; the natural, 77 78, 82 83; passion in, 83; prosody in, 76 78;
94
revelation in, 79; as seaside shelter, 73; speaker in, 73 74; truth to
objects, 84 85; uncertainty in, 73; useless concentration, 85
GEOGRAPHY III, 59, 64, 66, 72 73, 79 85
INAGINARY ICEBERG , 36
IN THE VILLAGE , 49
LARGE BAD PICTURE , 21
LOVED HOUSES , 80
LOVED CITIES , 80
MAN-MOTH, THE , 20 21, 54
MAP, THE , 54
MIRACLE FOR BREAKFAST, A , 42
MONUMENT, THE , 17 30, 73; ambiguities of orientation, 18;
awareness of tradition, 25; commemoration over transport, 22;
comparisons, 23; critical analysis, 17 19; critical views, 20 30;
ecphrasic poem, 17, four objections, 28 29; frottage in, 17, 27;
genre in, 26 27; guarded approach, 24; irony, 28; motion process,
21; observations, 20, 25; opposing factors, 20 21; reticence in,
24 25; self-assurance in, 28 30; in The Spirits Mundi, 27; structure,
21; surrealism in, 26; two speakers of, 19, 22; without foreground,
18;
MOOSE, THE , 81
NIGHTCITY , 81
NORTH AND SOUTH, 31, 35 36, 82
ONE ART , 80 81
OVER 2000 ILLUSTRATIONS AND A COMPLETE CONCOR-
DANCE , 25
OWL S CLOVER, 41
QUESTIONS OF TRAVEL, 83
ROOSTERS , 31 44; as an anomaly, 31; bishop s comments, 34 35;
Christian forgiveness in, 23 33, 37 38; conventions of political
poetry, 41 43; critical analysis, 31 33; critical views, 34 44; femi-
nism in, 41; glass-headed pins , 34; hens as passive, 39; heroism in,
36 38; homility in, 43 44; ironic humor in, 35 36; mapping in, 44;
95
militarism in, 31 32, 34, 36; modernist abstraction, 41; natural hero,
36 37; in North and South, 31, 82; reality in, 41; the roosters
representation, 32 33, 39, 42 43; satire to prayer, 43; sources, 31;
speaker, 37; symbolism, 41; symmetry, 38; the three parts, 31;
as war poem, 38 40, 42
SESTINA , 24
THEN CAME THE POOR , 42
12 O CLOCK NEWS , 81
96 [ Pobierz całość w formacie PDF ]
zanotowane.pl doc.pisz.pl pdf.pisz.pl ocenkijessi.opx.pl
epigraph, 84; in Geography III, 73, 79 85; journey in, 73 75; land-
scape in, 73, 75; mappings of the world, 82; metrical impulses,
77 78; the natural, 77 78, 82 83; passion in, 83; prosody in, 76 78;
94
revelation in, 79; as seaside shelter, 73; speaker in, 73 74; truth to
objects, 84 85; uncertainty in, 73; useless concentration, 85
GEOGRAPHY III, 59, 64, 66, 72 73, 79 85
INAGINARY ICEBERG , 36
IN THE VILLAGE , 49
LARGE BAD PICTURE , 21
LOVED HOUSES , 80
LOVED CITIES , 80
MAN-MOTH, THE , 20 21, 54
MAP, THE , 54
MIRACLE FOR BREAKFAST, A , 42
MONUMENT, THE , 17 30, 73; ambiguities of orientation, 18;
awareness of tradition, 25; commemoration over transport, 22;
comparisons, 23; critical analysis, 17 19; critical views, 20 30;
ecphrasic poem, 17, four objections, 28 29; frottage in, 17, 27;
genre in, 26 27; guarded approach, 24; irony, 28; motion process,
21; observations, 20, 25; opposing factors, 20 21; reticence in,
24 25; self-assurance in, 28 30; in The Spirits Mundi, 27; structure,
21; surrealism in, 26; two speakers of, 19, 22; without foreground,
18;
MOOSE, THE , 81
NIGHTCITY , 81
NORTH AND SOUTH, 31, 35 36, 82
ONE ART , 80 81
OVER 2000 ILLUSTRATIONS AND A COMPLETE CONCOR-
DANCE , 25
OWL S CLOVER, 41
QUESTIONS OF TRAVEL, 83
ROOSTERS , 31 44; as an anomaly, 31; bishop s comments, 34 35;
Christian forgiveness in, 23 33, 37 38; conventions of political
poetry, 41 43; critical analysis, 31 33; critical views, 34 44; femi-
nism in, 41; glass-headed pins , 34; hens as passive, 39; heroism in,
36 38; homility in, 43 44; ironic humor in, 35 36; mapping in, 44;
95
militarism in, 31 32, 34, 36; modernist abstraction, 41; natural hero,
36 37; in North and South, 31, 82; reality in, 41; the roosters
representation, 32 33, 39, 42 43; satire to prayer, 43; sources, 31;
speaker, 37; symbolism, 41; symmetry, 38; the three parts, 31;
as war poem, 38 40, 42
SESTINA , 24
THEN CAME THE POOR , 42
12 O CLOCK NEWS , 81
96 [ Pobierz całość w formacie PDF ]